Looking for your next great read? If so, check out the finalists for this year’s National Book Awards, which were announced earlier in October.

Established in 1950, the National Book Awards are American literary prizes administered by the National Book Foundation, a nonprofit organization.  Recognizing literary excellence, the Awards currently honor the best Fiction, Nonfiction, Poetry, Translated Literature, and Young People’s Literature, published each year.

The winners for 2024 will be announced on November 20. 

Here are some of the honored books in the different categories, available (or soon to be available)  to borrow with your Livingston library card and to add to your fall reading list (Descriptions used are from the publishers).

Fiction

All Fours by Miranda July

A semi-famous artist announces her plan to drive cross-country, from LA to NY. Thirty minutes after leaving her husband and child at home, she spontaneously exits the freeway, checks into a nondescript motel, and immerses herself in an entirely different journey.

With July’s wry voice, perfect comic timing, unabashed curiosity about human intimacy, and palpable delight in pushing boundaries, All Fours tells the story of one woman’s quest for a new kind of freedom. Part absurd entertainment, part tender reinvention of the sexual, romantic, and domestic life of a 45-year-old female artist, All Fours transcends expectation while excavating our beliefs about life lived as a woman.

Ghostroots : Stories by Pemi Aguda

In this beguiling collection of 12 imaginative stories set in Lagos, Nigeria, ’Pemi Aguda dramatizes the tension between our yearning to be individuals and the ways we are haunted by what came before.

In “Manifest,” a woman sees the ghost of her abusive mother in her daughter’s face. Shortly after, the daughter is overtaken by wicked and destructive impulses. In “Breastmilk,” a wife forgives her husband for his infidelity. Months later, when she is unable to produce milk for her newborn, she blames herself for failing to uphold her mother’s feminist values and doubts her fitness for motherhood. In “Things Boys Do,” a trio of fathers finds something unnatural and unnerving about their infant sons. As their lives rapidly fall to pieces, they begin to fear that their sons are the cause of their troubles. And in “24, Alhaji Williams Street,” a teenage boy lives in the shadow of a mysterious disease that’s killing the boys on his street.

These and other stories in Ghostroots map emotional and physical worlds that lay bare the forces of family, myth, tradition, gender, and modernity in Nigerian society.

My Friends by Hisham Matar

One evening, as a young boy growing up in Benghazi, Khaled hears a bizarre short story read aloud on the radio, about a man being eaten alive by a cat, and has the sense that his life has been changed forever. Obsessed by the power of those words—and by their enigmatic author, Hosam Zowa—Khaled eventually embarks on a journey that will take him far from home, to pursue a life of the mind at the University of Edinburgh.

There, thrust into an open society that is miles away from the world he knew in Libya, Khaled begins to change. He attends a protest against the Qaddafi regime in London, only to watch it explode into tragedy. In a flash, Khaled finds himself injured, clinging to life, unable to leave Britain, much less return to the country of his birth. To even tell his mother and father back home what he has done, on tapped phone lines, would expose them to danger.

When a chance encounter in a hotel brings Khaled face-to-face with Hosam Zowa, the author of the fateful short story, he is subsumed into the deepest friendship of his life. It is a friendship that not only sustains him but eventually forces him, as the Arab Spring erupts, to confront agonizing tensions between revolution and safety, family and exile, and how to define his own sense of self against those closest to him.

James by Percival Everett

When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, who recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond.

While many narrative set pieces of Adventures of Huckleberry Finn remain in place (floods and storms, stumbling across both unexpected death and unexpected treasure in the myriad stopping points along the river’s banks, encountering the scam artists posing as the Duke and Dauphin…), Jim’s agency, intelligence and compassion are shown in a radically new light.

Martyr! By Kaveh Akbar

Cyrus Shams is a young man grappling with an inheritance of violence and loss: his mother’s plane was shot down over the skies of the Persian Gulf in a senseless accident; and his father’s life in America was circumscribed by his work killing chickens at a factory farm in the Midwest. Cyrus is a drunk, an addict, and a poet, whose obsession with martyrs leads him to examine the mysteries of his past—toward an uncle who rode through Iranian battlefields dressed as the angel of death to inspire and comfort the dying, and toward his mother, through a painting discovered in a Brooklyn art gallery that suggests she may not have been who or what she seemed.  This novel is a paean to how we spend our lives seeking meaning—in faith, art, ourselves, others.

My Friends by Hisham Matar

One evening, as a young boy growing up in Benghazi, Khaled hears a bizarre short story read aloud on the radio, about a man being eaten alive by a cat, and has the sense that his life has been changed forever. Obsessed by the power of those words—and by their enigmatic author, Hosam Zowa—Khaled eventually embarks on a journey that will take him far from home, to pursue a life of the mind at the University of Edinburgh.

There, thrust into an open society that is miles away from the world he knew in Libya, Khaled begins to change. He attends a protest against the Qaddafi regime in London, only to watch it explode into tragedy. In a flash, Khaled finds himself injured, clinging to life, unable to leave Britain, much less return to the country of his birth. To even tell his mother and father back home what he has done, on tapped phone lines, would expose them to danger.

When a chance encounter in a hotel brings Khaled face-to-face with Hosam Zowa, the author of the fateful short story, he is subsumed into the deepest friendship of his life. It is a friendship that not only sustains him but eventually forces him, as the Arab Spring erupts, to confront agonizing tensions between revolution and safety, family and exile, and how to define his own sense of self against those closest to him.

Nonfiction

Circle of Hope : A Reckoning with Love, Power, and Justice in an American Church by Eliza Griswold

Americans have been leaving their churches. Some drift away. Some stay home. And some have been searching for—and finding—more authentic ways to find and follow Jesus.

This is the story of one such “radical outpost of Jesus followers” dedicated to service, the Sermon on the Mount, and working toward justice for all in this life, not just salvation for some in the next. Part of a little-known yet influential movement at the edge of American evangelicalism, Philadelphia’s Circle of Hope grew for 40 years, planted four congregations, and then found itself in crisis.

The story that follows is an American allegory full of questions with urgent relevance for so many of us, not just the faithful: How do we commit to one another and our better selves in a fracturing world? Where does power live? Can it be shared? How do we make “the least of these” welcome?

Through generational rifts, an increasingly politicized religious landscape, a pandemic that prevented gathering to worship, and a rise in foundation-shaking activism, Circle of Hope tells a propulsive, layered story of what we do to stay true to our beliefs.

Knife: Meditations After an Attempted Murder by Salman Rushdie

On the morning of August 12, 2022, Salman Rushdie was standing onstage at the Chautauqua Institution, preparing to give a lecture on the importance of keeping writers safe from harm, when a man in black—black clothes, black mask—rushed down the aisle toward him, wielding a knife. His first thought: So it’s you. Here you are.

What followed was a horrific act of violence that shook the literary world and beyond. Now, for the first time, and in unforgettable detail, Rushdie relives the traumatic events of that day and its aftermath, as well as his journey toward physical recovery and the healing that was made possible by the love and support of his wife, Eliza, his family, his army of doctors and physical therapists, and his community of readers worldwide.

Knife is a deeply moving reminder of literature’s capacity to make sense of the unthinkable, an intimate and life-affirming meditation on life, loss, love, art—and finding the strength to stand up again.

Soldiers and Kings : Survival and Hope in the World of Human Smuggling by Jason De Leon

Political instability, poverty, climate change, and the insatiable appetite for cheap labor all fuel clandestine movement across borders. As those borders harden, the demand for smugglers who aid migrants across them increases every year. Yet the real lives and work of smugglers—or coyotes, or guides, as they are often known by the migrants who hire their services—are only ever reported on from a distance, using tired tropes and stereotypes, often depicted as boogie men and violent warlords. In an effort to better understand this essential yet extralegal billion-dollar global industry, internationally recognized anthropologist and expert Jason De León embedded with a group of smugglers moving migrants across Mexico over the course of seven years.

The result of this unique and extraordinary access is Soldiers and Kings: the first ever in-depth, character-driven look at human smuggling. It is a heart-wrenching and intimate narrative that revolves around the life and death of one coyote who falls in love and tries to leave smuggling behind. De León chronicles the lives of low-level foot soldiers breaking into the smuggling game, and morally conflicted gang leaders who oversee ragtag crews of guides and informants along the migrant trail.

Unshrinking by Kate Manne

Blending intimate stories with the trenchant analysis that has become her signature, Manne shows why fatphobia has become a vital social justice issue. Over the last several decades, implicit bias has waned in every category, from race to sexual orientation, except one: body size. Manne examines how anti-fatness operates—how it leads us to make devastating assumptions about a person’s attractiveness, fortitude, and intellect, and how it intersects with other systems of oppression. Fatphobia is responsible for wage gaps, medical neglect, and poor educational outcomes; it is a straitjacket, restricting our freedom, our movement, our potential.

In this urgent call to action, Manne proposes a new politics of “body reflexivity”—a radical reevaluation of who our bodies exist in the world for: ourselves and no one else. When it comes to fatphobia, the solution is not to love our bodies more. Instead, we must dismantle the forces that control and constrain us, and remake the world to accommodate people of every size.

Whiskey Tender : A Memoir by Deborah Jackson Taffa

Traces how a mixed tribe native girl—born on the California Yuma reservation and raised in Navajo territory in New Mexico—comes to her own interpretation of identity, despite her parent’s desires for her to transcend the class and “Indian” status of her birth through education, and despite the Quechan tribe’s particular traditions and beliefs regarding oral and recorded histories. Taffa’s childhood memories unspool into meditations on tribal identity, the rampant criminalization of Native men, governmental assimilation policies, the Red Power movement, and the negotiation between belonging and resisting systemic oppression. Pan-Indian, as well as specific tribal histories and myths, blend with stories of a 1970s and 1980s childhood spent on and off the reservation.

As Taffa reflects on her past and present—the promise of assimilation and the many betrayals her family has suffered, both personal and historical; trauma passed down through generations—she reminds us of how the cultural narratives of her ancestors have been excluded from the central mythologies and structures of the “melting pot” of America, revealing all that is sacrificed for the promise of acceptance.

Poetry

Modern Poetry : Poems by Diane Seuss

Diane Seuss’s latest collection takes its title, Modern Poetry, from the first textbook Seuss encountered as a child and the first poetry course she took in college, as an enrapt but ill-equipped student, one who felt poetry was beyond her reach. Many of the poems make use of the forms and terms of musical and poetic craft—ballad, fugue, aria, refrain, coda—and contend with the works of writers overrepresented in textbooks and anthologies and those too often underrepresented. Seuss provides a moving account of her picaresque years and their uncertainties, and in the process, she enters the realm between Modernism and Romanticism, between romance and objectivity, with Keats as ghost, lover, and interlocutor.

In poems of rangy curiosity, sharp humor, and illuminating self-scrutiny, Modern Poetry investigates our time’s deep isolation and divisiveness and asks: What can poetry be now? Do poems still have the capacity to mean? “It seems wrong / to curl now within the confines / of a poem,” Seuss writes. “You can’t hide / from what you made / inside what you made.” What she finds there, finally, is a surprising but unmistakable love.

Mother by m.s.Redcherries

mother is a work rooted in an intimate fracture: an Indigenous child is adopted out of her tribe and raised by a non-Indian family. As an adult finding her way back to her origins, our unnamed narrator begins to put the pieces of her birth family’s history together through the stories told to her by her mother, father, sister, and brother, all of whom remained on the reservation where she was born. Through oral histories, family lore, and imagined pasts and futures, a collage of their community emerges, raising profound questions about adoption, inheritance, and Indigenous identity in America.

[…] : Poems by Fady Joudah

Joudah’s powerful sixth collection of poems opens with, “I am unfinished business,” articulating the ongoing pathos of the Palestinian people. A rendering of Joudah’s survivance, […] speaks to Palestine’s daily and historic erasure and insists on presence inside and outside the ancestral land.

Responding to the unspeakable in real time, Joudah offers multiple ways of seeing the world through a Palestinian lens—a world filled with ordinary desires, no matter how grand or tragic the details may be—and asks their reader to be changed by them. The sequences are meditations on a carousel: the past returns as the future is foretold. But “Repetition won’t guarantee wisdom,” Joudah writes, demanding that we resuscitate language “before [our] wisdom is an echo.” These poems of urgency and care sing powerfully through a combination of intimate clarity and great dilations of scale, sending the reader on heartrending spins through echelons of time. […] is a wonder. Joudah reminds us “Wonder belongs to all.”

Something About Living by Lena Khalaf Tuffaha

Tuffaha’s poems interweave Palestine’s historic suffering, the challenges of living in this world full of violence and ill will, and the gentle delights we embrace to survive that violence. Khalaf Tuffaha’s elegant poems sing the fractured songs of Diaspora while remaining clear-eyed to the cause of the fracturing: the multinational hubris of colonialism and greed. This collection is her witness to our collective unraveling, vowel by vowel, syllable by syllable. “Let the plural be a return of us” the speaker of “On the Thirtieth Friday We Consider Plurals” says and this plurality is our tenuous humanity and the deep need to hang on to kindness in our communities. In these poems Khalaf Tuffaha reminds us that love isn’t an idea; it is a radical act. Especially for those who, like this poet, travel through the world vigilantly, but steadfastly remain heart first.

Wrong Norma by Anne Carson

Published with images created by Carson, several of the 25 poetic prose pieces have appeared in magazines and journals like The New Yorker and The Paris Review. As Carson writes: “Wrong Norma is a collection of writings about different things, like Joseph Conrad, Guantánamo, Flaubert, snow, poverty, Roget’s Thesaurus, my Dad, Saturday night. The pieces are not linked. That’s why I’ve called them ‘wrong.’

Translated Literature

Ædnan : An Epic by Linnea Axelsson (translated from the Swedish)

In Northern Sámi, the word Ædnan means the land, the earth, and my mother. The tale begins in the 1910s, as Ristin and her family migrate their herd of reindeer to summer grounds. Along the way, forced to separate due to the newly formed border between Sweden and Norway, Ristin loses one of her sons in the aftermath of an accident, a grief that will ripple across the rest of the book. In the wake of this tragedy, Ristin struggles to manage what’s left of her family and her community.

In the 1970s, Lise, as part of a new generation of Sámi grappling with questions of identity and inheritance, reflects on her traumatic childhood, when she was forced to leave her parents and was placed in a Nomad School to be stripped of the language of her ancestors. Finally, in the 2010s we meet Lise’s daughter, Sandra, an embodiment of Indigenous resilience, an activist fighting for reparations in a highly publicized land rights trial, in a time when the Sámi language is all but lost.

Weaving together the voices of half a dozen characters, from elders to young people unsure of their heritage, Axelsson has created a moving family saga around the consequences of colonial settlement.

The Book Censor’s Library by Buthaynah Al-Essa (translated from the Arabic)

The new book censor hasn’t slept soundly in weeks. By day, he combs through manuscripts at a government office, looking for anything that would make a book unfit to publish—allusions to queerness, unapproved religions, any mention of life before the Revolution. By night, pilfered novels pile up in the house he shares with his wife and daughter, and the characters of literary classics crowd his dreams. As the siren song of forbidden reading continues to beckon, he descends into a netherworld of resistance fighters, undercover booksellers, and outlaw librarians trying to save their history and culture.

Reckoning with the global threat to free speech and the bleak future it all but guarantees, Bothayna Al-Essa marries the steely dystopia of Orwell’s 1984 with the madcap absurdity of Carroll’s Alice in Wonderland, resulting in a dreadful twist worthy of Kafka. The Book Censor’s Library is a warning call and a love letter to stories and the delicious act of losing oneself in them.

Taiwan Travelogue by Yang Shuang.Zi (translated from the Mandarin Chinese ; releasing on November 12)

May 1938. The young novelist Aoyama Chizuko has sailed from her home in Nagasaki, Japan, and arrived in Taiwan. She’s been invited there by the Japanese government ruling the island, though she has no interest in their official banquets or imperialist agenda. Instead, Chizuko longs to experience real island life and to taste as much of its authentic cuisine as her famously monstrous appetite can bear.

Soon a Taiwanese woman—who is younger even than she is, and who shares the characters of her name—is hired as her interpreter and makes her dreams come true. The charming, erudite, meticulous Chizuru arranges Chizuko’s travels all over the Land of the South and also proves to be an exceptional cook. Over scenic train rides and braised pork rice, lively banter and winter melon tea, Chizuko grows infatuated with her companion and intent on drawing her closer. But something causes Chizuru to keep her distance. It’s only after a heartbreaking separation that Chizuko begins to grasp what the “something” is.

The Villain’s Dance by Fiston Mwanza Mujila (translated from the French)

Zaire. Late 90’s. Mobutu’s 30-year reign is tottering. In Lubumbashi, the stubbornly homeless Sanza has fallen in with a trio of veteran street kids led by the devious Ngungi. A chance encounter with the mysterious Monsieur Guillaume seems to offer a way out…Meanwhile in Angola, Molakisi has joined thousands of fellow Zairians hoping to make their fortunes hunting diamonds, while Austrian Franz finds himself roped into writing the memoirs of the charismatic Tshiamuena, the “Madonna of the Cafunfo Mines.” Things are drawing to a head, but at the Mambo de la Fête, they still dance the Villain’s Dance from dusk till dawn.

Where the Wind Calls Home by Samar Yazbek (translated from the Arabic) (On order)

Ali, a 19-year-old soldier in the Syrian army, lies on the ground beneath a tree. He sees a body being lowered into a hole—is this his funeral? There was that sudden explosion, wasn’t there…. While trying to understand the extend of the damage, Ali works his way closer to the tree. His ultimate desire is to fly up to one of its branches, to safety. Through rich vignettes of Ali’s memories, we uncover the hardships of his traditional Syrian Alawite village, but also the richness and beauty of its cultural and religious heritage. Yazbek here explores the secrets of the Alawite faith and its relationship to nature and the elements in a tight poetic novel dense with life and hope and love.

Young People’s Literature

Buffalo Dreamer by Violet Duncan
Summer and her family always spend relaxed summers in Alberta, Canada, on the reservation where her mom’s family lives. But this year is turning out to be an eye-opening one. First, Summer has begun to have vivid dreams in which she’s running away from one of the many real-life residential schools that tore Native children from their families and tried to erase their Native identities. Not long after that, she learns that unmarked children’s graves have been discovered at the school her grandpa attended as a child. Now more folks are speaking up about their harrowing experiences at these places, including her grandfather. Summer cherishes her heritage and is heartbroken about all her grandfather was forced to give up and miss out on. When the town holds a rally, she’s proud to take part to acknowledge the painful past and speak of her hopes for the future, and anxious to find someone who can fill her in on the source of her unsettling dreams.

The First State of Being by Erin Entrada Kelly

It’s August 1999. For 12-year-old Michael Rosario, life at Fox Run Apartments in Red Knot, Delaware, is as ordinary as ever—except for the looming Y2K crisis and his overwhelming crush on his 15-year-old babysitter, Gibby. But when a disoriented teenage boy named Ridge appears out of nowhere, Michael discovers there is more to life than stockpiling supplies and pining over Gibby.

It turns out that Ridge is carefree, confident, and bold, things Michael wishes he could be. Unlike Michael, however, Ridge isn’t where he belongs. When Ridge reveals that he’s the world’s first time traveler, Michael and Gibby are stunned but curious. As Ridge immerses himself in 1999—fascinated by microwaves, basketballs, and malls—Michael discovers that his new friend has a book that outlines the events of the next 20 years, and his curiosity morphs into something else: focused determination. Michael wants—no, needs—to get his hands on that book. How else can he prepare for the future? But how far is he willing to go to get it?

The Great Cool Ranch Dorito in the Sky by Josh Galarza

Ever since cancer invaded his adoptive mother’s life, Brett feels like he’s losing everything, most of all control. To cope, Brett fuels all of his anxieties into epic fantasies, including his intergalactic Kid Condor comic book series, which features food constellations and characters not unlike those in his own life.

But lately Brett’s grip on reality has started to lose its hold. The fictions he’s been telling himself—about his unattractive body, the feeling that he’s a burden to his best friend, that he’s too messed up to be loved—have consumed him completely, and Brett will do anything to forget about the cosmic-sized hole in his chest, even if it’s unhealthy.

But when Brett’s journal and deepest insecurities are posted online for the whole school to see, Brett realizes he can no longer avoid the painful truths of his real-life narrative. As his eating disorder escalates, Brett must be honest with the people closest to him, including his new and fierce friend Mallory who seems to know more about Brett’s issues than he does. With their support, he just might find the courage to face the toughest reality of all.

Kareem Between by Shifa Saltagi Safadi

Seventh grade begins, and Kareem’s already fumbled it.

His best friend moved away, he messed up his tryout for the football team, and because of his heritage, he was voluntold to show the new kid—a Syrian refugee with a thick and embarrassing accent—around school. Just when Kareem thinks his middle school life has imploded, the hotshot QB promises to get Kareem another tryout for the squad. There’s a catch: to secure that chance, Kareem must do something he knows is wrong.

Then, like a surprise blitz, Kareem’s mom returns to Syria to help her family but can’t make it back home. If Kareem could throw a penalty flag on the fouls of his school and home life, it would be for unnecessary roughness.

Kareem is stuck between. Between countries. Between friends, between football, between parents—and between right and wrong. It’s up to him to step up, find his confidence, and navigate the beauty and hope found somewhere in the middle.

The Unboxing of a Black Girl by Angela Shante

Written as a collection of vignettes and poetry, The Unboxing of a Black Girl is a creative nonfiction reflection on Black girlhood. The debut YA title is a love letter to Black girls set in New York City and serves as a personal and political critique of how the world raises Black girls.

As Shanté navigates the city through memory, she balances poetry with vignettes that explore the innocence and joy of childhood eroded by adultification. Through this book, she illuminates the places where Black girls are nurtured or exploited in stories and poems about personal and political boxes, love, loss, and sexual assault.

—Archana Chiplunkar, Adult Services & Acquisitions Librarian